Skip to main content Skip to search results

RECORDS: 1 - 25 of 377

Refine my results

1. 광한루 Kwanghallu

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

1. 수궁가 Sugungga [p’ansori] [c. 20:00]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

1. 적벽가 Chǒkpyǒkka [17:50]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

1. 초수대엽 Ch’osu taeyǒp [?]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

1. 초수대엽 Ch’osu taeyǒp [7:10]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

2. 수궁가 Sugungga [p’ansori] [cont'd] [18:40]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

2. 이수대엽 Isu taeyǒp [?]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

2. 이수대엽 Isu taeyǒp [10:00]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

2. 적벽가 Chǒkpyǒkka [cont'd] [18:13]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

2. 추첨 Ch’uch’ǒm

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

3. 수궁가 Sugungga [p’ansori] [cont'd] [18:00]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

3. 적벽가 Chǒkpyǒkka [cont'd] [16:30]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

3. 중거 Chunggǒ [9:40]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

3. 중거 Chunggǒ [24:55]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

3. 책방독서 Ch’aekpang toksǒ

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

4. 백년가약 Paengnyǒn kayak

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

4. 수궁가 Sugungga [p’ansori] [cont'd] [19:10]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

4. 적벽가 Chǒkpyǒkka [cont'd] [19:04]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

4. 평거 P’yǒnggǒ [8:38]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

4. 평거 P’yǒnggǒ [9:06]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

5. 두거 Tugǒ [6:43]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

5. 두거 Tugǒ [7:20]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

5. 사랑가 Sarangga

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

5. 수궁가 Sugungga [p’ansori] [cont'd] [18:18]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...

5. 적벽가 Chǒkpyǒkka [cont'd] [19:10]

Track Identifier: AWM Spec Coll 109
Scope and Contents: These performances were recorded by Robert C. Provine at the Seoul National University circa 1974. The performances feature narrative/theatre genres, such as ch’anggǔk and p’ansori as well as virtuosic music for solo melody instrument, such as the kŏmungo (zither), accompanied by percussion, such as the changgo (double-headed hourglass drum). Several of the performances showcase the stylistic features of a particular musical master's school, such as Kim Yundǒk, who was active in Seoul in the...